Nick Carver Photography Blog

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New Work: Sequoia National Park – Part 2

Beetle Rock, Sequoia National Park, CA View from Beetle Rock, Sequoia National Park, CA
Shen-Hao HZX-45IIa on Ilford Delta 100 film

8 seconds at f/22 - 3-stop split ND filter

- Click any image for a larger view -

As I described in Part 1 of this post, I was having a hard time getting the shots I envisioned in the groves of Sequoia trees due to the old, dirty, partially melted snow. It just wasn't flattering to such beautiful sculptures.

But thankfully, with a little bit of scouting around, I came upon Beetle Rock, which is a large granite rock formation with a breathtaking view out to the west. At this altitude, you can see for miles when the weather is clear. Truly a stunning overlook.

On my first evening there, we had a clear sky to the west that produced some beautiful deep red hues of sunset light on the trees. Unfortunately, though, not being familiar with the area yet, I wasn't standing in the right place at the right time. So to put it simply, I squandered that light. Would have been some great color panoramas from Beetle Rock with that kind of a sunset.

But not ready to give up yet, I planned to come back to the same spot the following sunset. I was all jazzed up to shoot some panoramas on the rich color palette of Fuji Velvia film. I was comfortable with the area now, I had a rough pre-visualization of the composition I wanted, I knew when the light would be good...I had all my ducks in a row.

And then the clouds rolled in.

Bummer. I wouldn't get that deep, colorful sunset light. The clouds were too thick. It was practically overcast. But after all that work and anticipation, I decided to make the best of what nature gave me. So I pulled out the black and white film again. I may not get good color on this night, but the textures and shapes were excellent - perfect for black and whites.

I started with a horizontal, wide panorama view of the mountains to the south. The layers receding off into the background gave such a beautiful sense of distance from this high vantage point. Be sure to click for a larger version of these panos - the minute details are where these pictures really come alive.

 Beetle Rock, Sequoia National Park, CA View from Beetle Rock, Sequoia National Park, CA
Shen-Hao HZX-45IIa on Ilford Delta 100 film

1/4 at f/22 - 2-stop split ND filter

With the light fading and the clouds showing no signs of breaking up, I decided to scout around Beetle Rock in search of a composition that would make better use of the flat lighting. I needed something with a more pronounced shape. Something that could make use of the dramatic cloud cover.

Just in time, I found a gorgeous tree sprouting out of the rock itself. It's wind-sculpted shape would be the perfect element to superimpose against the cloudy sky. And the textures of the rock at its feet would give just the right amount of interest to the foreground.

I started with a horizontal panorama. I wanted to capture this tree as a regal symbol for the hardship of these high altitudes and the resilience of the organisms that battle the elements to thrive in this terrain. By positioning myself so that the tree would rise up high from the rock, reaching into the sky and blocking the sun behind it, I was able to create the image I envisioned - one that paints this tree as the noble champion of strength that it is. This became my favorite image from the whole trip.

Beetle Rock, Sequoia National Park, CA Tree at Beetle Rock, Sequoia National Park, CA
Shen-Hao HZX-45IIa on Ilford Delta 100 film

1 second at f/45 - 3-stop split ND filter

I then tried a vertical 4x5 composition of this same tree (at the top of this post). The communication was similar in this composition, but with a closer, more intimate view. This composition doesn't highlight the majesty of this tree in quite the same way as the panorama, but instead I wanted to show the granite foundation of the Sierra Nevada Mountains from which these trees sprout.

What is ISO and What Does ISO Mean?

What is ISO and What Does ISO Mean?The Misconception:
What does "ISO" mean? Ask anyone seemingly "in-the-know" and they'll tell you "ISO" is an initialism for "International Standards Organization" and thus it is pronounced "eye-ess-oh." Sounds pretty convincing, but this is false.

Why This is Wrong:
There is no such thing as the "International Standards Organization." Go ahead, Google it. It doesn't exist. So then what does "ISO" stand for? Nothing. It's not an initialism or an acronym.

Allow me to explain...

Here's where the confusion comes from: although there isn't an "International Standards Organization," there is an "International Organization for Standardization." The International Organization for Standardization is a corporation based in Geneva, Switzerland that sets all sorts of international standards for manufacturing and engineering, one of which is film sensitivity in photography. Their whole deal is getting the world on the same page with standard regulations, measurements, and certifications.

Then what is "ISO?" It's this company's name, that's all. No different than "Pepsi" or "Honda." But "ISO" obviously is not an initialism or acronym because the correct acronym (in English anyway) would be IOS. So then what does ISO mean? Well, it's derived from the Greek root "isos," which means "equal" - like in "isotope" and "isosceles." And if you look at the website for the International Organization for Standardization, you'll find an explanation on why they chose this Greek root instead of an acronym to represent their company (source:

Because 'International Organization for Standardization' would have different acronyms in different languages (IOS in English, OIN in French for Organisation internationale de normalisation), our founders decided to give it the short form ISO. ISO is derived from the Greek isos, meaning equal. Whatever the country, whatever the language, the short form of our name is always ISO.

Couldn't have said it better myself.

The Truth:
So "ISO" is not an acronym. No doubt about that. It's just a company's logo written in all capital letters derived from the Greek root isos. And just like you wouldn't spell out "PEPSI" every time you ordered one, you shouldn't spell out "ISO" every time you talk about it. That's why "ISO" is correctly pronounced "EYE-so." No matter how many times you hear it pronounced "eye-ess-oh," and even though everybody and their mother says it "eye-ess-oh," it just simply isn't correct. Doesn't matter if a guy has been taking pictures for decades or working with ISO standards for 50 years, if he says it "eye-ess-oh," he's wrong.

And just for good measure, here's a video summarizing it all:

My Thoughts and Rants:
Alright, I'll be honest. For awhile I was guilty of thinking ISO stood for International Standards Organization and for years I pronounced it "eye-ess-oh." That was based partly on misinformation from an online resource (What?! You mean Yahoo Answers isn't always correct?) and mostly from my own assumptions. After all, it made perfect sense. But that's what happens when I assume. I make an ass out of u and me.

So I can't really fault people for saying it "eye-ess-oh." It's in all capital letters so it certainly looks like an acronym. And the majority of shooters say it that way even though it's incorrect. But hey, just goes to show you how quickly false information can become "fact."

My only rant on this is that a couple years back I saw on Yahoo Answers that someone posted a question asking what is ISO and what does ISO stand for. Some know-nothing do-gooder happily answered with "It stands for 'International Standards Organization.'" Seeing this error, I politely corrected the answer with the information I stated in this blog post. All was finally right in the world. But sure enough, a few days later I get a notification that someone has "improved" my answer. I go to check it out and some idiot changed it back to the wrong answer! 

Don't get your information from some dumb yahoo on Yahoo Answers. And don't let anyone try to correct you into saying it the wrong way. It's "EYE-so."

Everyone say it with me now: EYE-so!


The excellent video and audio production was done by my brother Blake Carver. Check him out at

New Work: Sequoia National Park – Part 1

Sequoia National Park in winter Tree Trunks, Sequoia National Park, CA
Mamiya RZ67 on Ilford Delta 100 film

1/2 at f/16

- Click Any Image for a Larger View - 

I spent the first weekend in March in the beautiful Sequoia National Park to try my hand at photographing these majestic trees. Nestled on the western slopes of the Sierra Nevada Mountains in California, this region played an important role in the creation of the national park system as we know it today.

It was in the shadow of these giant trees that naturalist John Muir and the great president Theodore Roosevelt slept under the stars after sneaking away from the president's cavalcade of security and advisors. Roosevelt wanted to spend time in the woods that Muir's writings made famous (along with Yosemite Valley) to see for himself what made them national treasures worth protecting. He wanted the solitary experiences that Muir described, unspoiled by his staff and modern amenities.

After several days in the wild with Muir, Roosevelt's passion for protecting these treasures, like the Sequoias, burned with an intensity like never before. This single experience served as a catalyst for an already growing national movement for environmental protection and began a series of historic events as Roosevelt set aside more and more land for public appreciation and recreation.

When you're amongst these giant Sequoias, it's plain to see how they could have such a profound impact on Muir and Roosevelt. They are truly amazing organisms. One can't help but feel like little more than an insignificant blip in the history of this planet when standing with these enormous trees. They sprouted long before you arrived, and they will stand long after you're gone.

Sequoia Trees in Sequoia National Park in winterBig Tree Trail, Sequoia National Park, CA
Shen-Hao HZX-45IIa on Ilford Delta 100 film

1 second at f/40 - Red #23A filter with 1-stop split ND
(See the bench at the foot of the tree?)

I planned this trip with hopes of photographing them in fresh snowfall. But as all nature photographers know, getting the weather to coincide with your hotel reservations is the biggest challenge of it all.

Although I arrived to plentiful snow on the ground, it was old, dirty snow that just didn't highlight the beauty of this place like I'd hoped. I tried my best using my large format and medium format cameras with black and white film, but it was tough to capture what I envisioned. If only the clouds would have granted me a gift of just a few fresh inches of snow...but alas, it was not meant to be.

Kaweah River in Sequoia National Park, CAKaweah River, Sequoia National Park, CA
Mamiya RZ67 on Ilford Delta 100 film

1/8 at f/16 - Polarizer and Red #23A filter

Big Tree Trail in Sequoia National Park, CABig Tree Trail, Sequoia National Park, CA
Shen-Hao HZX-45IIa on Ilford Delta 100 film

1 minute at f/22 - Red #23A filter

I managed only a few photos in the snowy areas that I'm proud of. I worked hard to find spots with clean, uncluttered and un-trampled snow, but there just weren't many areas that worked. Plus, with the majority of roads closed for the season, I was quite limited on where I could go.

After all was said and done, I found my favorite compositions at a beautiful overlook called Beetle Rock. Those pictures will come in Part 2 of this post. So stay tuned!