March 31, 2017 | By Nick Carver
The Pumpkin Patch at Anza-Borrego Desert
View on YouTube to see full HD
Oh, boy. It's been awhile since my last post. And it's been even longer since my last on-location video. I wish I could do this more often, but life gets in the way sometimes. Well, work gets in the way.
And I must say that I have been completely surprised by all the positive feedback I've gotten on my videos. When I posted my first video on YouTube, I was prepared for the worst - mean, critical, "just kill yourself, you Wil Wheaton look-a-like" kinds of comments. Man, was I wrong! The vast, vast majority of comments have been incredibly encouraging, positive, and supportive.
Hooray! Humanity is alive and well!
So thank you to my viewers and those who have taken the time to encourage me to do more. It really keeps me motivated on this stuff.
For my latest "photography on location" video, I took a day trip to Anza-Borrego Desert State Park to check out a strange geological formation called "The Pumpkin Patch." Aptly named, this remote section of Anza-Borrego is dotted with pumpkin-sized spheres of sandstone - sandstone concretions as the informative placard called them. Not that I had to look this up in a dictionary or anything, but a concretion is a hard solid mass formed by the local accumulation of matter.
And as the handy placard also clarified, such concretions are believed to be formed by the natural cementing of sand particles to a small object such as a piece of shell, a grain of sand, or even an insect. You see, these are basically giant sandstone jawbreakers with a nougaty core of dead insect. A spider dies beneath the surface, a concretion forms around it, the soil eventually erodes away, and the concretion is exposed to wind which slowly smooths it into a spherical shape.
These are desert pearls, my friends!
It's very interesting stuff. So when I learned about this pumpkin patch in my local desert, I figured it might be worth photographing.
Getting there is pretty easy. You can probably get there just fine without 4x4, but you'll definitely need a high-clearance vehicle at the very least. This patch is nestled in the Ocotillo Wells State Vehicular Recreation Area, so this isn't something right off the side of the highway. You'll have to spend some time navigating the twists and turns of sometimes-barely-marked dirt roads and desert washes. This is the kind of place meant for dune buggies and Jeeps. I recommend checking in with the Anza-Borrego Desert State Park visitor center to get reliable directions and an update on the road conditions.
On this trip I only ended up shooting one roll of film. It was Ilford Delta 100 film pushed 1 stop (for a little extra contrast) coupled with a red filter (for even more contrast) in 6x6 format. In hindsight, I think I may have gone overboard on the contrast, but then again it worked really well for a few of the shots. Things just got a little too dark and moody for some of them. The red filter probably would have been sufficient without pushing the film too.
You'll notice that many of these pictures have a vertical whitish line off to the right. That's from a light leak in my Mamiya RZ67 camera. I don't know where it's coming from, but somehow light is creeping into the camera through the cracks and spilling onto the film. I replaced all the light seals already to try and fix it, but no dice. It's still getting in. I need to troubleshoot things a bit to get that leak under control.
Ah, these are the joys of using an old film camera. We're spoiled by perfectly tight digital cameras nowadays.
It's a real bummer about that light leak, though, because it ruined some otherwise perfectly good photos. But as they say, live and learn. Now I know it's leakin', so I know it needs fixin'.
Click any picture to see it bigger and be sure to check out the video!
June 21, 2014 | By Nick Carver
Long Exposure at Heisler Park in Laguna Beach, CA
1 minute at f/32
I've been hooked on black and white photography lately. Maybe it's a sign I'm getting older, but I think I'm just a little burned out on the whole "make an epic landscape bursting with more color than a box of Crayola crayons" approach to landscape photography. I dig photos that depart from reality a little bit - something that doesn't look like a facsimile of real life. For these same reasons, I've been experimenting with doing ultra-long exposures down at the local beaches.
When you get into the territory of super long exposures like 30 seconds and longer, the ocean takes on a surreal foggy look from all the motion of the waves. The result is a smoothed out water surface and a beautiful mist along the shore. With some good dark rocks in the foreground to break it up, the surrealism that results is addictive.
For this series of photos, I set up my tripod at a local stopping ground - Heisler Park in Laguna Beach, CA. I've photographed this beach more times than I can count. It's classic Orange County, CA with picturesque palm trees lining the sun-soaked cliffs and some excellent rock formations for this style of landscape photography.
The photos you see here were made on Ilford Delta 100 black and white film with a Mamiya RZ67 camera, but these effects are even easier to achieve with a digital SLR. The shutter speed in each photo here was 1 minute. In order to get that long of an exposure, I had to close my aperture down real small - f/32 - and use 6 stops of neutral density filter to cut back the light. Also, the fact that it was a little bit overcast helped, too. If you were doing this with a digital camera, you'd need to do the same things I did - small aperture, ND filter, and be sure to use a low ISO of 50 or 100. And since the shutter speed will be beyond 30 seconds, you'll need to switch your camera into "bulb" mode. Bulb mode is where the shutter will stay open for as long as you hold down the shutter release. Best use a locking cable release so that you don't have to sit there with your finger on the shutter release. Use a stopwatch to time the shutter speed or just count "1 Mississippi, 2 Mississippi, 3 Mississippi..." I also used a split ND filter here to darken up the sky a bit.
I'm sure I'll be taking many more long exposure pictures like this in the near future. I'm hooked.
November 26, 2013 | By Nick Carver
Well, I finally made it to the 30th and final day of my photo a day challenge. I again found myself out at night to make my exposures, this time at a neighborhood park near where I grew up. The real reason I chose to visit this park to take photos is because there is a beautiful Gratitude and Honor Memorial set up there for the fallen heroes of the Iraq and Afghanistan wars. And seeing as how the date on this night was September 11th, I thought it would be fitting to photograph the memorial.
Here is a shot of just one section of one of the panels on this memorial. There are 20 panels in all - each one filled with names of soldiers killed in combat. As of this writing there are 6,714 names engraved in the Northwood Gratitude and Honor Memorial (per www.northwoodmemorial.com). If you carefully review the names in the photo below, it's chilling to note some of the ages of these soldiers.
The panels are glossy, so it was difficult to avoid reflections clouding the names. I first tried to get my own reflection out of the frame, but then I decided to let my outline show in the composition. I felt that my silhouette might serve as a reminder that these names aren't simply names on a plaque but names that represent real flesh-and-blood people fallen in the line of duty.
If you're in the area, I strongly recommend visiting this memorial.
After taking this photo of the memorial, I decided to venture around the park in search of other shots to finish off my final roll of film. I eventually found my way to the back of the park where I fixed my camera on a tree and lamppost with an interesting backdrop of silhouetted rooflines. Much like the photo from yesterday's blog entry, I think this shot of the lamppost is going to speak much more to me than anyone else. As I continue to mature in my photography, I'm realizing that more than capturing moments or subjects, I really want to capture "vibes" and emotions - those deeply-ingrained feelings that can't be articulated in words. This image of the lamppost and tree, I feel, captures a "vibe" that I can't articulate. I don't know if you'll get that same vibe from it, but that's what I like about it.
This 30-day photo a day challenge has been a huge growing experience for me. It helped me discover new approaches to photography and how to find photos in situations and subjects I wouldn't have otherwise thought to photograph. It helped me reach a point where I know now what to do next. I have project ideas sprouting up in my head left and right. The creative juices are flowing and I know where to go from here. This challenge certainly served its purpose.