Nick Carver Photography Blog

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Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA
Palm Tree Pictures from Laguna Beach, CA
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I've become obsessed with palm tree pictures over the past couple years. I'm not sure why exactly; I've never really had strong thoughts about them one way or the other. But having grown up in Orange County, CA, they've been ever-present in my life. Perhaps they've burned into my psyche as a symbol of home and my childhood, kind of like the smell of mom's home cooking.

Thinking about this recent obsession two things come to mind. The first is an interesting tidbit that a good photographer friend of mine told me. He said that nature photographers typically organize their work by terrain - coastal photos, mountain photos, desert photos, etc. But that's not really what artists do. Artists often pick a subject to do "studies" on. They'll spend time focusing on a single subject or topic and really dissect it to get to the juicy meat. This subject might even consume their work for years. Just look at Andy Warhol and his Campbell's soup cans. So rather than avoiding this obsession in the interest of pursuing variety (as a younger Nick might have done), I'm letting this obsession guide much of my work. I'm letting my obsession play itself out until I feel a natural urge to move on. I'm trying to roll with it rather than fight it.

The second thing that comes to mind is a quote from the great Annie Leibovitz:

"I’ve said about a million times that the best thing a young photographer can do is to stay close to home... Discover what it means to be close to your work, to be intimate with a subject... Of course there are many good photographs that have nothing to do with staying close to home, and I guess what I’m really saying is that you should take pictures of something that has meaning for you…"

- Annie Leibovitz

Ms. Leibovitz here is not speaking of home in the literal sense, I don't believe. She's talking about working with subjects that mean something to you, subjects you can be intimate with. As a life-long resident of Orange County, palm trees are a subject I can really sink my teeth into because they are everywhere you look. And as I mentioned above, palms trees are meaningful to me in what they represent: home, growing up, building my career, and many fond memories of trips to Palm Springs, CA. To put it simply, palm trees have been a regular companion to many of my most important life events. They've often towered above me like gentle guardians as I've experienced the major milestones and memories in my life. I suppose that makes them worth obsessing over.

But beyond my own personal connection with palm trees there's something else I love about them. Palm trees embody the "dream" of Southern California. Think of every cheesy movie you've seen where the small-town girl with big dreams risks it all to come out to Hollywood in hopes of making it big. The first thing they cut to in the movie when she's finally made it to the city is a row of palm trees with the crisp California sun beating down on them. Palms trees and the Hollywood sign are the most basic symbols of "California Dreamin'."

And there's a special dichotomy with palm trees. On one hand they represent this ambition to reach greater heights, make it big, and find that elusive fame. While on the other hand, palm trees are a typical token of relaxation, vacation, and a slower pace of life. These palm trees with their unmistakable silhouette simultaneously represent ambition and taking it easy. I don't think you could make the same claim of the pine tree.

That California Dream doesn't speak to everyone and I'm not even saying it's a real thing, but what it represents is awfully romantic, isn't it?

Technical Notes:

All of the palm tree pictures shown here were made on 6x17 film with a Shen-Hao TFC-617A camera at Heisler Park in Laguna Beach, CA. The color photos were made on Fuji Velvia 100 film and the black and white photos were made on Ilford Delta 100 film. The black and white photos are part of The Palms Collection - a series I've been working on using multiple-exposure techniques to capture that "California Dreamin'" vibe. You can view more of The Palms Collection here.

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Making a Fine Art Photography Print

Making a Fine Art Photography Print (2 Part Video)
View on YouTube to see full HD

I'm a big advocate of printing photos. I urge my students to do it whenever I can. And that's because my sense of pride and satisfaction is at its peak when I create a fine art photography print to hang on the wall. There's something about it that feels so much better than just sharing it digitally.

I mean, come on, how good can it feel sharing a photo on Instagram? You spend hours and hours getting to a location, setting up a shot, and processing the image only to have it displayed on a 2.5-inch wide screen that viewers will swipe past in under 3 seconds. You get a few likes, and that feels good, but then the picture just disappears into "the cloud" forever. Digital sharing is "here today, gone tomorrow."

But printing...that's different. When you get a print made, you're making a bold statement. You're saying "I'm so proud of this picture that I'm willing to spend money to get others to see it. I want it around for years, maybe decades. I want it on display in such a way that people can't just swipe past it." When you get a print made, you're investing in your work. You're saying that it's worth the effort and expense. And that does wonders for your self-esteem.

Fine Art Photography Wall Art

Think I'm overstating it? Get a big ol' print made and get it framed up real nice. Then tell me it feels about the same as posting them on Facebook. The tangibility of a print creates a sense of fulfillment that 1's and 0's just can't. For me, it's about the same as emailing a friend vs sitting down with them face-to-face. Sure, both are the exchange of ideas, but I'm betting you have many more memorable face-to-face interactions than memorable emails.

So that's why I decided recently to make a new fine art photography print. And the image I chose was one I took in Joshua Tree National Park on black and white film. I actually took this picture during an on-location video I made awhile back (check that out here). I love the vibe of this photo and it's something I've wanted hanging on my wall for awhile now because Joshua Tree is a very special place to me. I'm utterly in love with the desert and I've had some of my most incredible experiences in this part of the country. Also, what can I say, I just like the photo!

Whenever I set out to make wall art from one of my photos, I envision the finished piece as my very first step. I picture the framing style, the type of paper, the size - I get it all worked out in my head until it looks perfect. Things will get tweaked here and there as I go through the steps of it, but for the most part, I know the vibe I want and how to get it.

For this piece, I wanted a rough, old-timey vibe with a lot of texture and depth. I'd never used watercolor paper in a framed photo before, but I knew from previous samples that watercolor paper would provide the texture I was after. The only problem I have with watercolor paper is that it's for inkjet style prints and, generally, I hate inkjet prints. They are far inferior in overall look to Lightjet prints, which is what I typically get. But I really wanted that texture, so inkjet it would be.

So what's the difference between inkjet and Lightjet? Inkjet is ink on paper, like what you do at home. Lightjet is photosensitive paper (like in the darkroom) that's put through a machine that exposes your digital image to it with light (like in the darkroom) and then puts the paper through developer and chemicals and such, just like traditional darkroom prints. The end result is a true photographic print baked into the paper itself with a superior look.

I wasn't looking forward to inkjet printing on this piece, but luckily, watercolor paper absorbs ink differently than typical gloss paper, which results in better prints than I'm used to seeing from inkjet. And the technicians at Pro Photo Connection in Irvine ( did a superb job on the print as always.

To add some more texture to this piece, I created a deckled edge on the paper, which is where the paper looks torn rather than clean-cut. The process for this is simple and is described completely in part 2 of the video series linked at the top of this post.

Then, to get my depth, I opted for a float-mount in a shadow box. This lifts the print away from the backer board and creates lovely shadows in the frame. The framing was done by my framer of choice: Salamon Art in Fountain Valley, CA ( They always do a perfect job.

When getting prints this big, it's a good idea to get a proof first. As you'll see in the video, a proof is an 8x10 snippet of the full print that you can use to verify the look before giving the go-ahead on the full-size piece. This is a great way to ensure there are no unpleasant surprises in the full-size print.

The finished fine art piece came out great. I got the vibe, the texture, and the depth I was after. It's a really cool style overall and I plan to do many more in this fashion.

If you're interested in purchasing this fine art photography print from Joshua Tree National Park or if you'd like to get a similar piece made, please drop me a line here.

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fog at the Quail Hill Trailhead in Irvine

Fog at Quail Hill Trailhead, Irvine, CAFog at Quail Hill Trailhead, Irvine, CA
Fuji Velvia 100 film, Shen Hao TFC 617-A camera
Click Images to Enlarge

I should probably move to Northern California, because I'm in love with fog. Waking up to that enveloping haze gets me all excited, like I'm seeing my lovely lady for the first time after months apart. And it should come as no surprise that I love fog. After all, I'm in love with clouds, and fog is nothing more than a cloud coming down to our level to say "hello." But we just don't get enough fog down here in Southern California, and when we do, it doesn't stick around long.

Oh, Fog, you're such a tease. Always playing hard to get.

Luckily for me, my muse - Fog - paid me a visit recently. She popped in to greet me several mornings in a row last week. Maybe she knew Valentine's Day was just around the corner. She wanted to surprise me. That's so cute. She knows me so well...

On Friday of last week, I seized the opportunity to spend some quality time with Fog. I woke up before dawn and packed up my panoramic camera, drowsily loaded up my truck, and headed to an old photographic stomping ground: Quail Hill Trailhead in Irvine. I fired off 3 rolls of Fuji Velvia 100 film over the course of a few hours, playing entirely with compositions involving dirt roads vanishing into the mist. The whole beauty of fog, after all, is the layers and depth she creates. With a road winding into the distance, I was able to show this layered effect.

Things didn't go well when I first arrived. I couldn't find a composition that worked, I felt rushed, I began to feel frustrated. It had been so long since Fog and I last spoke that it was just...awkward. But soon she'd be gone, and if I didn't turn on my A-game I'd have nothing to show for it. I was blowing my chance with Fog! Then, after taking the time to get reacquainted with each other, I finally found my groove and it was just like old times.

Quail Hill right now is beautifully lush from the rains this winter and I've been spending a lot of time lately at Quail Hill and the Irvine Open Space Preserve trying to capture this verdant landscape. Fog, though, mutes colors and casts a blue tinge over everything. The green was strong enough to show through, but it definitely takes on a different hue under these conditions. I actually dig the bluish color cast and muted tones for these shots. I think it captures the solitude and moodiness better than warm tones would.

Well, after this rendezvous with Fog, she fled town like she always does. I'm sure she's off playing with some other photographer's emotions up north, making him feel like the most important guy in the world until she wads him up and throws him in the garbage like a used tissue. I should break it off with Fog, tell her it's over and I'm done with her teasing me like this. But who am I kidding? I'll be waiting by the window with camera in-hand until she finds her way back to town.

Happy Valentine's Day, everyone.

Fog at Quail Hill Trailhead, Irvine, CA

Fog at Quail Hill Trailhead, Irvine, CA

Fog at Quail Hill Trailhead, Irvine, CA