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Announcing a New Beginners Class and the 2013 Summer Schedule

Now Enrolling:
2013 Summer Photography Classes

And a brand new class for beginners!


Filters for Outdoor Photography

April 27th - Satuday 10:00am-12:30pm in Tustin, CA
Don't be fooled by the marketing of software companies - filters are just as useful in digital photography as they've ever been! Find out what filters Photoshop can never replace and which filters are most important to keep in your bag. - 1 day (2.5 hrs) - $39
Get More Info About This Class


NEW: Understanding Exposure for Beginners

June 22nd and June 29th - Two Saturdays in a row 10:00am-12:30pm in Tustin, CA
Perfect for beginning photographers, this class is designed to make exposure easily understandable to even the greenest students. Learn what shooting modes to use, how to get correct exposures, and what the shutter speed, aperture, and ISO are. You'll leave this class knowing what the f-stop is, how to get blurry backgrounds, how to avoid totally blurry photos in low light, and much, much more! - 2 days (5 hrs total) -  $75
Get More Info About This Class


Macro DSLR Photography

July 27th through August 17th - Saturdays 10:00am-12:30pm in Tustin, CA
This class is 1 saturday per week for 4 weeks. Learn how to get better close-ups with your DSLR camera, what equipment you should invest in, what settings to use, how to frame a shot, how to find good light and more! Includes an in-class shoot. - 4 days (10 hrs total) - $125
Get More Info About This Class


Landscape Photography

May 2nd through May 23rd - Thursdays from 6:30-9:00pm in Irvine, CA
This class is 1 evening per week for 4 weeks. It covers everything from how to shoot in manual, to using filters, to composition, to final output and much, much more. And this class is my one and only class to include a field shoot! This class fills up to max capacity pretty consistently, so sign up soon! - 4 days (10 hrs total) - $99
Get More Info About This Class


How to Shoot in Manual Mode

June 4th - Tuesday 6:30-9:00pm in Irvine, CA
Learn the correct way to shoot in manual mode in this very affordable single-evening seminar. Nick will demystify the process with his easy-to-understand and fun-to-use technique for manual metering. - 1 day (2.5 hrs) - $39
Get More Info About This Class


Composition for Dramatic Landscapes

June 25th - Tuesday 6:30-9:00pm in Irvine, CA
Composition is what will make or break your landscape photographs. Don't get so caught up in the technical stuff that you forget to give due attention to the artistic side of landscape photography. - 1 day (2.5 hrs) - $39
Get More Info About This Class

 

Don't wait, sign up before these classes fill up!
More information and enrollment details
can be found here.

New Work: Sequoia National Park – Part 1

Sequoia National Park in winter Tree Trunks, Sequoia National Park, CA
Mamiya RZ67 on Ilford Delta 100 film

1/2 at f/16

- Click Any Image for a Larger View - 

I spent the first weekend in March in the beautiful Sequoia National Park to try my hand at photographing these majestic trees. Nestled on the western slopes of the Sierra Nevada Mountains in California, this region played an important role in the creation of the national park system as we know it today.

It was in the shadow of these giant trees that naturalist John Muir and the great president Theodore Roosevelt slept under the stars after sneaking away from the president's cavalcade of security and advisors. Roosevelt wanted to spend time in the woods that Muir's writings made famous (along with Yosemite Valley) to see for himself what made them national treasures worth protecting. He wanted the solitary experiences that Muir described, unspoiled by his staff and modern amenities.

After several days in the wild with Muir, Roosevelt's passion for protecting these treasures, like the Sequoias, burned with an intensity like never before. This single experience served as a catalyst for an already growing national movement for environmental protection and began a series of historic events as Roosevelt set aside more and more land for public appreciation and recreation.

When you're amongst these giant Sequoias, it's plain to see how they could have such a profound impact on Muir and Roosevelt. They are truly amazing organisms. One can't help but feel like little more than an insignificant blip in the history of this planet when standing with these enormous trees. They sprouted long before you arrived, and they will stand long after you're gone.

Sequoia Trees in Sequoia National Park in winterBig Tree Trail, Sequoia National Park, CA
Shen-Hao HZX-45IIa on Ilford Delta 100 film

1 second at f/40 - Red #23A filter with 1-stop split ND
(See the bench at the foot of the tree?)

I planned this trip with hopes of photographing them in fresh snowfall. But as all nature photographers know, getting the weather to coincide with your hotel reservations is the biggest challenge of it all.

Although I arrived to plentiful snow on the ground, it was old, dirty snow that just didn't highlight the beauty of this place like I'd hoped. I tried my best using my large format and medium format cameras with black and white film, but it was tough to capture what I envisioned. If only the clouds would have granted me a gift of just a few fresh inches of snow...but alas, it was not meant to be.

Kaweah River in Sequoia National Park, CAKaweah River, Sequoia National Park, CA
Mamiya RZ67 on Ilford Delta 100 film

1/8 at f/16 - Polarizer and Red #23A filter

Big Tree Trail in Sequoia National Park, CABig Tree Trail, Sequoia National Park, CA
Shen-Hao HZX-45IIa on Ilford Delta 100 film

1 minute at f/22 - Red #23A filter

I managed only a few photos in the snowy areas that I'm proud of. I worked hard to find spots with clean, uncluttered and un-trampled snow, but there just weren't many areas that worked. Plus, with the majority of roads closed for the season, I was quite limited on where I could go.

After all was said and done, I found my favorite compositions at a beautiful overlook called Beetle Rock. Those pictures will come in Part 2 of this post. So stay tuned!

New Work: First Sunset of 2013

Sunset at Heisler Park - Laguna Beach, CASunset at Heisler Park, Laguna Beach, CA
Shen-Hao HZX 4x5-IIa with Nikkor SW 90mm f/4.5
Fuji Provia 100F, 1/4 at f/25 - Lee 2-Stop Split ND
Click Image for Larger Version

Seems to be a tradition around these parts that the first sunset of a new year is quite stunning. Not sure why. Maybe it's just Mother Nature ringing it in the best way she knows how. It's her way of soothing the aching heads of hungover party goers all around Orange County. One of the most amazing sunsets I've ever seen was on a New Year's Day several years ago.

Shen-Hao HZX-45IIaThe first sunset of 2013 was no exception. We had a great cloud cover to pick up the sunset light. And so with my large format camera in hand, I visited the local beach at Heisler Park to photograph it.

Photographing the beach with a large format camera is no easy task, as I've said before. It takes 5+ minutes to set up a single shot on this type of camera. If a wave comes in and sinks your tripod, you practically have to start over. It's about finding the perfect spot where the water will come up close enough to look interesting in the photo without ever actually touching the tripod legs. And that's not to mention the quickly changing light, which is difficult to keep up with.

But luckily, I've made enough mistakes to know what not to do on this night, so things went off without a hitch. I managed to fire off a couple horizontal compositions and a couple vertical compositions, the best 2 of which you see here.

I made both images with my Shen-Hao HZX-45IIa camera and a Nikkor SW 90mm f/4.5 lens (that's a wide angle on this type of camera). I used Fuji Provia 100F film because I had a bunch of it on hand and it's a little cheaper than my favorite film, Fuji Velvia. Provia is a little less saturated than Velvia, but it still managed to record some decent color. Plus I think it actually worked out for the best here because Provia has a warmer color balance to it than Velvia 100. Velvia 100 is very blue compared to Provia - can be great for mountain scenes, but not so much for beach sunsets like this.

I used a Lee 2-stop split ND filter on both of these photos so as to preserve color in both the sky and foreground.

Sunset at Heisler Park - Laguna Beach, CASunset at Heisler Park, Laguna Beach, CA
Shen-Hao HZX 4x5-IIa with Nikkor SW 90mm f/4.5
Fuji Provia 100F, 1/4 at f/22 - Lee 2-Stop Split ND
Click Image for Larger Version