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Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA
Palm Tree Pictures from Laguna Beach, CA
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I've become obsessed with palm tree pictures over the past couple years. I'm not sure why exactly; I've never really had strong thoughts about them one way or the other. But having grown up in Orange County, CA, they've been ever-present in my life. Perhaps they've burned into my psyche as a symbol of home and my childhood, kind of like the smell of mom's home cooking.

Thinking about this recent obsession two things come to mind. The first is an interesting tidbit that a good photographer friend of mine told me. He said that nature photographers typically organize their work by terrain - coastal photos, mountain photos, desert photos, etc. But that's not really what artists do. Artists often pick a subject to do "studies" on. They'll spend time focusing on a single subject or topic and really dissect it to get to the juicy meat. This subject might even consume their work for years. Just look at Andy Warhol and his Campbell's soup cans. So rather than avoiding this obsession in the interest of pursuing variety (as a younger Nick might have done), I'm letting this obsession guide much of my work. I'm letting my obsession play itself out until I feel a natural urge to move on. I'm trying to roll with it rather than fight it.

The second thing that comes to mind is a quote from the great Annie Leibovitz:

"I’ve said about a million times that the best thing a young photographer can do is to stay close to home... Discover what it means to be close to your work, to be intimate with a subject... Of course there are many good photographs that have nothing to do with staying close to home, and I guess what I’m really saying is that you should take pictures of something that has meaning for you…"

- Annie Leibovitz

Ms. Leibovitz here is not speaking of home in the literal sense, I don't believe. She's talking about working with subjects that mean something to you, subjects you can be intimate with. As a life-long resident of Orange County, palm trees are a subject I can really sink my teeth into because they are everywhere you look. And as I mentioned above, palms trees are meaningful to me in what they represent: home, growing up, building my career, and many fond memories of trips to Palm Springs, CA. To put it simply, palm trees have been a regular companion to many of my most important life events. They've often towered above me like gentle guardians as I've experienced the major milestones and memories in my life. I suppose that makes them worth obsessing over.

But beyond my own personal connection with palm trees there's something else I love about them. Palm trees embody the "dream" of Southern California. Think of every cheesy movie you've seen where the small-town girl with big dreams risks it all to come out to Hollywood in hopes of making it big. The first thing they cut to in the movie when she's finally made it to the city is a row of palm trees with the crisp California sun beating down on them. Palms trees and the Hollywood sign are the most basic symbols of "California Dreamin'."

And there's a special dichotomy with palm trees. On one hand they represent this ambition to reach greater heights, make it big, and find that elusive fame. While on the other hand, palm trees are a typical token of relaxation, vacation, and a slower pace of life. These palm trees with their unmistakable silhouette simultaneously represent ambition and taking it easy. I don't think you could make the same claim of the pine tree.

That California Dream doesn't speak to everyone and I'm not even saying it's a real thing, but what it represents is awfully romantic, isn't it?


Technical Notes:

All of the palm tree pictures shown here were made on 6x17 film with a Shen-Hao TFC-617A camera at Heisler Park in Laguna Beach, CA. The color photos were made on Fuji Velvia 100 film and the black and white photos were made on Ilford Delta 100 film. The black and white photos are part of The Palms Collection - a series I've been working on using multiple-exposure techniques to capture that "California Dreamin'" vibe. You can view more of The Palms Collection here.

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Palm Tree Pictures from Laguna Beach, CA

Photography On Location: Laguna Beach Palm Trees

Photography On Location Video: Laguna Beach Palm Trees at Heisler Park
View on YouTube to see this video in HD

I'm no stranger to Heisler Park in Laguna Beach, CA. I've taken more pictures there than I can count and I've worked with more students there than I can remember. It's one of those postcard-type parks - the kind of scenery that hotels want front and center on their website. And it's a tourist spot for good reason. The views are stunning, the beach is sheltered, and - my favorite part - the palm trees dotting the landscape are classic Southern California.

On a recent visit there, I came across 3 palm trees that I've photographed a dozen times before. They reach high above the Pacific Ocean right on the edge of a cliff where benches and coin-op binoculars give visitors an excuse to soak in the scenery. From the right vantage point, the crystal blue waters provide a perfect backdrop for these 3 palm trees.

In search of a different photo near the palms, I envisioned a composition that immediately had me wanting for a different camera. I had my medium format 6x7 camera with me at the time but the composition I visualized required my 6x17 panoramic. Oh well, I'd have an excuse to revisit this gorgeous park again - bummer. And I thought it would be a good opportunity to create another on-location video for your enjoyment. So with my panoramic gear and my video gear packed up, I ventured to my spot.

I normally shoot at sunset to get the best color and contrast for my Laguna Beach landscape photos, but this shot was going to be different. I actually needed to shoot at high noon with the sun directly overhead. The reason for this was two-fold. First, I needed the sky to be evenly illuminated behind the palms. In late afternoon or at sunset, the sky would be much brighter off to the right side of the image as the sun descended in the west. And secondly, I planned to use a circular polarizer to minimize the glare off the water. This would also darken the sky (which I was fine with), but only at high noon would the darkening effect be even across the whole panorama. Again, with the sun low in the west, the polarizer would have darkened the left-hand side of the photo much more than the right, further exaggerating the unevenly lit sky.

Shooting at high noon brings some challenges, though. For one, the color isn't as vibrant compared to sunset. No problem, I planned to shoot black and white anyway (Ilford Delta 100). The midday sun would also bring excessively high contrast. But again, no problem. I wanted the high-contrast look. The composition I envisioned consisted of a medium-dark ocean, medium-light sky, and nearly black palm trees. The midday sun coupled with my polarizer provided that perfectly.

The last challenge of shooting midday was the lens flare. I have no lens hood for this camera, so I had to shade the lens with my hand instead. As you can see in the video, it wasn't the most comfortable way to shoot. Keeping my hand over the lens for 2 and a half minutes at a time for 4 separate exposures got a little old...

I also used a Lee 10-stop BigStopper filter to get my exposure way down to 2 and a half minutes. I wanted a slow shutter so as to smooth out the ocean waves, turning the Pacific into a nice flat surface, and to let the palm tree fronds "fuzz out" in the breeze. The name of the game for this composition was simplicity. I wanted just the palm trees in the center with a lot of negative space to the left and right. I didn't want clouds or waves or anything else in the background to distract from the palm trees. The slow shutter smoothed everything out for me and created a great ethereal fuzziness around the palm trees.

Palm Trees at Heisler Park in Laguna Beach, CA

Three Palm Trees - Heisler Park, Laguna Beach, CA
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Normally when shooting panoramas this wide, it's wise to use a center ND filter. This is a filter that is dark in the center, but clear around the outside edge. See, a wide angle lens on such a wide piece of film creates a major vignette at the edges of the frame. The center ND filter darkens the center of the image to match the natural vignetting and, thus, even out the exposure. But for this shot, I deliberately avoided the center ND filter. I wanted the natural vignette. I wanted those dark edges because I knew it would create a mood to match what I envisioned. I didn't want a bright, evenly exposed Peter Lik scenic (we got enough of those). I wanted an artist representation of these palm trees - a photo that incited a mood in the viewer, not just a snapshot of a tourist destination.

To put it simply without sounding arrogant, I'm really pleased with how this shot turned out. It's nearly identical to what I envisioned and it works as well on film as it did in my head. And this, by the way, is the reward of good training and experience - whatever you envision, you can make happen. So if you're a novice reading this, hang in there and keep working at becoming a better photographer. Eventually you'll have the tools to realize your visions on film (or digitally), whatever those visions may be.

Monochrome at Little Corona Del Mar, Newport Beach

Little Corona Del Mar in Newport Beach, CALittle Corona Del Mar in Newport Beach, CA
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Man, oh, man...I have not been keeping up on my blog posting and image sharing like I should! Summer is a crazy busy time for me, so sharing new work has been on the back burner for awhile. But the whole point of this photography stuff is to share my photos with you lovely people! So that's why I made sure to carve out some time today to post these new pictures from Little Corona Del Mar Beach in Newport Beach, CA.

I've been to Little Corona a thousand times before, sometimes just to take pictures, but more often than not I head there with a student for a good old-fashioned Orange County private photography lesson. There is a great cluster of massive rock formations to the north end of the beach that has had my lens pointed at it more times than I can count. And it's a really good place to practice manual metering and filter use for landscape photography with my students.

Since I obtained a Lee Big Stopper 10-stop neutral density filter, I've been playing around a lot with ultra-long shutter speeds. It's a lot of fun getting that shutter speed down in the 30-second to 2-minute range when photographing the ocean because it turns the water into an ethereal fog that departs wildly from reality. And there's something about these ultra-long exposures at the beach with a nice cluster of rocks that just looks awesome in black and white. It takes a pretty basic landscape scene and turns it into a work of art. Sure, it ain't postcard material, but who wants that anyway? The resulting look is more suited for large wall art or a nice calendar image.

I did all of these photos on analog black and white film, but the techniques are the same with digital. You need a low ISO (my film was ISO 200), a small aperture (f/22 or f/32 on all of these) and a nice dark neutral density filter to hold back the light even more. The name of the game is "cut down light coming through the lens as much as possible" so that the shutter speed can slow way down. Oh, and best be using a rock-solid tripod because there is no way you're holding the camera still for this long!

The shutter speed for the first 2 pictures came out to 1 minute. Over the course of one minute, the water advances and retreats so many times that all you get is a nice layer of fog crawling through the gaps between the rocks. I love the way it complements these rock formations at Corona Del Mar with their almost Gothic shape rising up out of the mist. The final shot featured here utilized a shutter speed of only 1 second on account of the brighter light source and lack of ND filter. The movement of the seaweed winding between the boulders was a nice little surprise when I developed the film.

If you're in Orange County, head down to Little Corona Del Mar Beach in Newport Beach sometime. It's worth an exposure or two.

Little Corona Del Mar in Newport Beach, CA

Little Corona Del Mar in Newport Beach, CA