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Making a Fine Art Photography Print

Making a Fine Art Photography Print (2 Part Video)
View on YouTube to see full HD

I'm a big advocate of printing photos. I urge my students to do it whenever I can. And that's because my sense of pride and satisfaction is at its peak when I create a fine art photography print to hang on the wall. There's something about it that feels so much better than just sharing it digitally.

I mean, come on, how good can it feel sharing a photo on Instagram? You spend hours and hours getting to a location, setting up a shot, and processing the image only to have it displayed on a 2.5-inch wide screen that viewers will swipe past in under 3 seconds. You get a few likes, and that feels good, but then the picture just disappears into "the cloud" forever. Digital sharing is "here today, gone tomorrow."

But printing...that's different. When you get a print made, you're making a bold statement. You're saying "I'm so proud of this picture that I'm willing to spend money to get others to see it. I want it around for years, maybe decades. I want it on display in such a way that people can't just swipe past it." When you get a print made, you're investing in your work. You're saying that it's worth the effort and expense. And that does wonders for your self-esteem.

Fine Art Photography Wall Art

Think I'm overstating it? Get a big ol' print made and get it framed up real nice. Then tell me it feels about the same as posting them on Facebook. The tangibility of a print creates a sense of fulfillment that 1's and 0's just can't. For me, it's about the same as emailing a friend vs sitting down with them face-to-face. Sure, both are the exchange of ideas, but I'm betting you have many more memorable face-to-face interactions than memorable emails.

So that's why I decided recently to make a new fine art photography print. And the image I chose was one I took in Joshua Tree National Park on black and white film. I actually took this picture during an on-location video I made awhile back (check that out here). I love the vibe of this photo and it's something I've wanted hanging on my wall for awhile now because Joshua Tree is a very special place to me. I'm utterly in love with the desert and I've had some of my most incredible experiences in this part of the country. Also, what can I say, I just like the photo!

Whenever I set out to make wall art from one of my photos, I envision the finished piece as my very first step. I picture the framing style, the type of paper, the size - I get it all worked out in my head until it looks perfect. Things will get tweaked here and there as I go through the steps of it, but for the most part, I know the vibe I want and how to get it.

For this piece, I wanted a rough, old-timey vibe with a lot of texture and depth. I'd never used watercolor paper in a framed photo before, but I knew from previous samples that watercolor paper would provide the texture I was after. The only problem I have with watercolor paper is that it's for inkjet style prints and, generally, I hate inkjet prints. They are far inferior in overall look to Lightjet prints, which is what I typically get. But I really wanted that texture, so inkjet it would be.

So what's the difference between inkjet and Lightjet? Inkjet is ink on paper, like what you do at home. Lightjet is photosensitive paper (like in the darkroom) that's put through a machine that exposes your digital image to it with light (like in the darkroom) and then puts the paper through developer and chemicals and such, just like traditional darkroom prints. The end result is a true photographic print baked into the paper itself with a superior look.

I wasn't looking forward to inkjet printing on this piece, but luckily, watercolor paper absorbs ink differently than typical gloss paper, which results in better prints than I'm used to seeing from inkjet. And the technicians at Pro Photo Connection in Irvine (www.prophotoirvine.com) did a superb job on the print as always.

To add some more texture to this piece, I created a deckled edge on the paper, which is where the paper looks torn rather than clean-cut. The process for this is simple and is described completely in part 2 of the video series linked at the top of this post.

Then, to get my depth, I opted for a float-mount in a shadow box. This lifts the print away from the backer board and creates lovely shadows in the frame. The framing was done by my framer of choice: Salamon Art in Fountain Valley, CA (www.salamonart.com). They always do a perfect job.

When getting prints this big, it's a good idea to get a proof first. As you'll see in the video, a proof is an 8x10 snippet of the full print that you can use to verify the look before giving the go-ahead on the full-size piece. This is a great way to ensure there are no unpleasant surprises in the full-size print.

The finished fine art piece came out great. I got the vibe, the texture, and the depth I was after. It's a really cool style overall and I plan to do many more in this fashion.

If you're interested in purchasing this fine art photography print from Joshua Tree National Park or if you'd like to get a similar piece made, please drop me a line here.

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fine Art Photography Wall Art