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OC Weekly

The OC Weekly did a review of the Irvine Fine Arts Center 30th Anniversary exhibition in which I had a piece on display. Although the article is disparaging for the most part, the majority of the piece centers around how great the photography was. That, I suppose, makes it a positive review of my work and of the other photographers involved. My piece received one line that isn't critical, but the best part is that they used my piece as the one and only picture for the article. Kinda nice having a picture of my work big, front and center in the OC Weekly (even if the color balance is all wrong - especially in the online version). You can read the online version here.

Why I Don’t Do HDR

I sometimes get asked about HDR (high dynamic range) images. Those who haven't browsed my website extensively will ask if I do HDR. Many will assume I do HDR or some sort of variation on it. Those who know me a little better will ask why I don't do HDR. Whatever the case, I thought I'd post this entry to lay out my thoughts on HDR.

First things first: I don't do HDR. I've never done an HDR. None of my images on my blog or website are HDR, nor have they ever set foot in Photoshop. I never airbrush, combine, dodge, burn or heavily alter my images. In the interest of full disclosure, however, I'll tell you that I make very minor adjustments to my digital files in order to get them to more closely resemble the film I used to use - Fuji Velvia. I'll also tweak the white balance on the RAW file because I don't like to think about white balance when I'm out in the field. And, of course, I'll straighten crooked horizons.

Now that that's all cleared up, let me tell you why I don't do HDR.

1. Time

HDR images take too long. Yeah, yeah, yeah. I know you HDR guys have some Photoshop plugin that does it in a snap, but that's still more time than zero minutes of no HDR. Also, you are spending more time in the field bracketing exposures, loading the files in your computer, opening multiple files, processing them, blah, blah, blah. Besides, the auto-HDR plugins aren't perfect and you usually have to spend a decent amount of time tweaking it/correcting it so that it looks "good."

2. Look

To me, HDR images are hideous. I can usually spot them a mile away...then I'll get a taste of vomit in the back of my throat. I know, those weird halos around trees are absolutely gorgeous, but they scream Photoshop.

3. Skill

I know I'm going to offend a few people with this, but don't worry, you don't have to agree with me (no angry letters, please)...

I feel HDR, for the most part, is a tool used by bad photographers to make up for a lack of skill behind the camera. These people are great (I'm using that term loosely) with Photoshop, but don't know squat about photography. Yep, you need HDR if you shoot at the wrong times, under ugly light, don't know how to manually meter, don't know how to use split ND filters, don't understand your camera's limits, don't know how to use those limits to your advantage, don't know what makes a great picture great, can't use light to your advantage and/or just haven't practiced enough. If you learn to be a photographer and not a graphic designer, you'll get better results without the need for HDR.

4. Contrast

Let me say something that I hope the entire world, especially camera manufacturers, will one day understand: a limited dynamic range is a good thing! Photography is an art form, and like any art form, it doesn't simply document the world perfectly so that others can see it exactly as it is. The limited dynamic range of our camera is a tool to create art that represents the world differently than we see it in real life. Photographs that capture the scene EXACTLY as it was are boring and unimportant. Constantly battling our camera's limited dynamic range is a battle no one should want to win. This contrast we get from our camera's limited range is partly what makes photography a beautiful art form. Just stop shooting in the middle of the day when the contrast isΒ too strong - the light is ugly then anyway.

5. History

The old saying "if it ain't broke, don't fix it" comes to mind when I think of HDR. If you were to take all the best photographs ever taken in the history of the human race, I'd bet less than 0.0000000001% are HDR. All the gorgeous photographs taken by Galen Rowell, Frans Lanting, David Muench, etc. etc. utilized nothing more than a piece of film and what they could put on their lenses. Thank God they never had HDR because their pictures wouldn't be nearly as dramatic. Yeah, HDR is new and that might be part of it, but the contrast and limited dynamic range in all these iconic photos are partly what makes them gorgeous.

6. Auto-Tune

Ever hear of Auto-Tune? It's that annoying sound effect hip-hop artists have been using on their voice lately that makes them sound kind of robotic. It was cool at first, but then we all realized it's just ugly. Well, HDR is the auto-tune of photography. It's new, people with no taste think it's awesome, it's been overdone and, really, it's just way worse than the old way of doing things - with skill and practice.

7. Split NDs

Learn to use Split NDs on your landscapes (or better yet, hire me to teach you πŸ˜‰ ). They take 5 minutes of work in the field and will negate the need for HDR. Plus, you'll get the added satisfaction of getting the image perfect in the camera without spending an hour and a half combining multiple images later. Oh, and they look way better than an HDR image.

Before you start writing a long-winded rebuttal, understand that I'm not looking for a debate. These are just the reasons why I don't do HDR and why I don't like HDR. I'm sure there are some exceptions to my arguments and I'm sure there are a few awesome HDRs out there. If you do HDR, cool. Have fun. I'll stick to my split ND filters. And we can still be friends...we don't have to agree on everything πŸ˜€

Tip of the Cap to Kim Murphy

I wanted to give a little tip of the cap to my long-time and current student Kim Murphy! She recently entered a piece to the Orange County Fair photography contest and received a ribbon for second place! This is really a huge achievement as this is no small contest! The competition is steep and many. So Congratulations, Kim, for an excellent piece and for having the guts to get it out there - and win!

Kim has come such a long way since I first started with her. Her work has progressed immensely and her knowledge of photography is now far above average. When I first started with Kim, she was, let's say, a little bit intimidated by her camera and the concepts of shutter speed, aperture and ISO (I hope I'm not speaking out of line here, Kim!). But now she handles equipment like a pro, her work is leaps and bounds above the vast majority of landscape shooters out there and she's loving every minute of it!

Kim, I am so proud of you and I can't begin to communicate how impressed I am with your progress! Keep up the excellent work!