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Photo a Day Challenge: Day 23

Photo a Day Challenge: Day 23 - Palm Trees in Laguna Beach on Ilford Delta 100 filmPalm Trees 1 - Laguna Beach, CA
Wednesday, September 4, 2013 at 5:37pm
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Day 23 of my photo a day challenge brought me to Laguna Beach for a private photography lesson in Orange County with one of my long-time students. It was a beautiful day - classic southern California summer. The offshore breeze cooled my skin to the perfect temperature. I decided to seize the opportunity of being in Laguna Beach for my photo of the day. I brought my gear and showed up early to see what I could find.

Up on a cliff in Heisler Park, I found a great vantage point on these three palm trees perched along the Pacific Coast. These three trees were just too perfect to pass up. They were simple, picturesque, the light was hitting them perfectly, and there were three of them. Everything looks great in threes. And look at them, even their heights are staggered perfectly. It's like these trees were designed to be photographed.

Although the breeze was relatively mild down at my level, the palm tree fronds suspended high in the air seemed to be taking a bit of a pounding. I think the trees would have had a little bit better shape to them if the wind hadn't been so strong - it would have had more of a relaxed, calm, postcard-esque summer day feel rather than an offshore typhoon feel. But oh well. Details, details.

I moved around quite a bit left and right trying to get a hand railing out of the shot and trying to get a good balance between the three trees and the rock in the background. I opted for a Red #23A filter here to help darken the blue sky and water. I knew this would work to create some separation between the sunlit sides of the palm trees and the bright sky and water behind. My exposure was 1/125 at f/14.

And then I tried a similar composition, but horizontal. Because why not? I can't decide which one I like better.

Photo a Day Challenge: Day 23 - Palm Trees and sky on Ilford Delta 100 filmPalm Trees 2 - Laguna Beach, CA
Wednesday, September 4, 2013 at 5:49pm
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Read the backstory on this Photo A Day Challenge here. See previous days here.

Orange County Beaches: Cress Beach at Sunset

Orange County Beaches - Cress Street BeachCress Street Beach at Sunset
Fuji Velvia 50 Film - f/32 at 1 minute
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I complain a lot about Orange County for many reasons, but one thing I can't complain about is its beaches. Orange County beaches are gorgeous. Okay, okay...maybe not compared to the central coast of California. But for how accessible they are, they offer up some pretty great scenery. The only problem with them is the same problem with all of Orange County: crowds. You'll never find yourself all alone on a beach in OC (unless you sneak in to the state park at night).

The crowds make shooting panoramas at Orange County beaches a little tricky. With such an incredibly wide view, it's tough to avoid buildings, people, and foot prints. Compound that with trying to keep sea spray off my filters, sand getting in my bag, a rapidly dropping sun, and I've got myself a recipe for frustration. But luckily, experience is on my side with years of beach shooting behind me. I still sometimes botch a beach shoot now and then, but I'd say my batting average is decent enough.

I made this image on Fuji Velvia 50 film. For those unfamiliar, Fuji Velvia 50 is the gold standard for high-saturation landscape work. The colors are so rich that it can often make the scene look better than real life. It's contrasty and colorful - perfect for a sunset. But it's also a royal pain in the ass to work with. The contrast is so high that your exposure has to be spot on. This ain't no RAW file. If you make an error in your exposure by 2/3 of a stop, you're done.

But that's not what bothers me. What's really tough is how this film behaves at long exposures. It has some serious reciprocity failure issues. Reciprocity failure is a phenomenon where certain exposure times don't result in the expected exposure and color.

For instance, let's say you expose Velvia 50 at f/2.8 at 1/2 second and you get a correct exposure with accurate colors. Well, an equivalent exposure would be f/16 at 15 seconds. So you'd think, I'll just plug in f/16 and 15 seconds and I'll get the same exact exposure as before. That is how it works on digital cameras, after all. But because of reciprocity failure, the film doesn't behave the same way at 15" as it does at 1/2 exposures. Basically, the film doesn't soak up light with the same efficiency and the photo comes out darker than expected. To remedy this issue, you have to add exposure to that 15" shutter in order to compensate for the film's failure to soak up light. There are tables and calculations to help figure out the adjusted exposure time for each film (there's a great iPhone app called "Reciprocity Timer" that I use). For Velvia 50, a calculated exposure time of 15" actually needs a shutter speed of 26"! If your calculated shutter speed was 30", you'd actually need to shoot it at 1 minute!

But it doesn't end there. Aside from the adjustments you must make to the calculated exposure, the colors come out funky too! Anything longer than about 1" will result in color shifts. Velvia 50 happens to shift towards a magenta tone when used at ultra-long exposures. That's why the photo at top exhibits a purplish color cast. For some shooters, this color shift alone would be reason enough to not take the shot. But I'm a little more laid back with these things. I say let the color shift happen. Let it ride and see how it turns out. I think it creates a cool mood here. I'd say the composition is decent, but there are certainly flaws with this shot and a few things I would have done differently. Not one for the wall, but that's alright. They can't all be masterpieces.

Velvia 50 is like that super attractive but ultra-high maintenance girlfriend that you just can't break up with. Velvia 50, I love you, but sometimes you're a real pain in the ass.

New Work: Cress Street Beach

Sunset in Laguna Beach, CASunset at Cress Street Beach in Laguna Beach, CA
Fuji Provia 100F film - 30" at f/45
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I made the photo featured here back in January in Laguna Beach, CA. Laguna has some beautiful beaches, but in the summertime it's a circus down there. It makes shooting landscapes damn near impossible without getting a sea of umbrellas and beach towels in the shot. January makes this challenge a little easier.

But who am I kidding? Shooting at Orange County beaches is always aggravating. I guess my 6'2" frame, my giant tripod, and my enormous wooden camera aren't enough to let people know that "I'm taking a picture in this general direction so please don't walk through my frame." Maybe I should post a sign and police caution tape to finally get their attention.

Of course I'm not one of those self-entitled photographers that thinks the scenery belongs to me simply because I have a camera. I recognize that the beach belongs to all of us and no one should have more right to use it than anyone else...which is why I never say anything to anyone getting in my shot. But I mean come on, would it kill you, shirtless tourist, to take a 5-foot detour behind my camera as you stroll at a snail's pace along the sand? And don't get me started on paddle-boarders.

But enough ranting. Let me tell you about this shot.

I made this image on the beach just off of Cress Street near my gallery. I was pleased to see that the sand level was very low, revealing some beautiful boulders that I'd use in the foreground. And by judging the cloud cover, I figured the sunset would have some decent color to it, too. I made this image on Fuji Provia 100F film, but I wish I'd had Velvia 50 that night. Provia has a nice magenta tinge to it that worked well on this shot, but Velvia's color palette is much more vibrant. Oh well. I used a 3-stop split ND filter to hold detail in the sky and at an aperture of f/45, my shutter speed came out to 30 seconds. My Nikkor SW 90mm f/4.5 lens gave me the wide view I needed to include the rocks.

This puppy is also on display right now in my gallery. If you're in Laguna, stop in to Artist Eye Gallery and check it out. It looks nice printed up big.