May 23, 2014 | By Nick Carver
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I got a thing for triptych photography. There's something about threes - it just looks good. Maybe it's because I'm one of 3 brothers. But whatever the reason, lately I've been addicted to taking pictures in such a way that they'll look good as a triptych in the final presentation. This most often manifests as three nearly identical compositions of slightly different subjects so that when they are finally arranged together into a triptych, the artwork, as a whole, simultaneously highlights the broad similarities and minor differences between subjects all in one piece.
The other way to make a triptych is to simply divide up a single picture into thirds, then place the segments next to each other to reconstitute the bigger picture, as I did with the 10-foot wide panoramic hanging in my Tustin office.
Recently, when my girlfriend and I took our dog out for a drive/walk on a partly cloudy day, we eventually found ourselves at my old high school. The clouds were gorgeous - which is the real reason we decided to get out of the house - and I brought my camera gear along to capture the dramatic sky. Whenever we get those picturesque partly cloudy skies dotted with billowing fair-weather cumulous clouds, I feel a nagging itch to go photograph it. I simply love this type of weather. It is unquestionably my favorite type of sky. But my dilemma, usually, is that there just aren't many good foregrounds here in Orange County to create a traditional land-and-sky landscape photo. Unless I want that gorgeous sky paired with an endless wasteland of tract housing and strip malls, I find myself more than a bit frustrated.
I could head down to the beach and photograph this beautiful sky over the ocean, which I have done before with excellent results, but you Orange County natives know that the skies at the beach are rarely similar to the skies just 10 miles in from the coast. It would be a gamble heading down there. Or I could venture out into one of the local wilderness preserves to catch this sky over some rolling hills, but with the recent drought and the ever-shrinking wilderness areas, it can be difficult to find a good foreground devoid of tract-housing clutter.
So when we get skies like this and I get the urge to take pictures, I go into "let's play some Jazz" mode. I bring my camera along as I drive or bike around OC, and I simply look for ways to improvise. Head over here, see if something works, move on to something else if it doesn't. Often times this method results in nothing noteworthy, but sometimes it results in photos I'm really proud to call my own.
On this little outing with my girlfriend and our dog, the improvisation led us to my high school. Not sure why, I was just following my instincts and looking for an open view of the sky. But I'm glad we ended up at this location because I found some trees that I could silhouette against the sky without any suburban clutter in the background thanks to a wide open spread of baseball fields behind it. I immediately envisioned a black and white triptych of three of these trees side-by-side. I wanted a rich, dark sky with bright contrasting clouds and a simple outline of the tree centered perfectly in each composition. Our angle to these trees gave us the exact backlighting I needed to illuminate the clouds and silhouette the trees.
Although I always try my damnedest to predict conditions and plan out my shots well in advance, shoots like this always remind me that improvisation is an important skill to creating great photos.
Here are the individual shots from this triptych: