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Making a Fine Art Photography Print: Anza-Borrego Desert State Park

Making a Fine Art Photography Print: Anza-Borrego Desert State Park
View on YouTube to see full HD

If you've spent any time around me or browsing through my blog, you know what a fan I am of printing your work. Digital sharing just isn't enough for me. It feels great to share your work on Instagram and to see your photos on a beautiful HD screen, but really, it doesn't hold a candle to getting a big ol' print made and hanging it on the wall. I think it's about the tangibility of it. A print is substantial, but a digital file seems to dissolve into the ether before anyone can get a real good look at it.

That's why I've been trying to get more prints made. But having recently gone through some storage to find a bunch of old prints, I've decided to be more selective about what images I print. See, these old prints I found...I couldn't care less about them now. But the funny thing is I remember how proud of them I was at the time.

You may be thinking, "Well this is why you shouldn't print. You'll eventually get over it anyway. Might as well not spend the money and just stick to digital sharing."

Valid point, but I see it a different way. The thing about those old prints is they all had one thing in common: They were heavy on the "epic" factor. I mean they were your typical super-saturated, wide-angle, maximum epic-ness type of landscape photos that are so prevalent in digital photography today. You know, those landscape photos that are supposed to make you go "Woah! That's soooo pretty! Can I get that for my desktop wallpaper?" The Peter Lik type stuff.

Much of my portfolio is in this style of photography because, to be honest, it's an easy way to "wow" people. Bright colors and epic scenes are impressive. But my more recent work has taken a turn for the more subtle, the more abstract. I've gradually moved away from those colorful scenes towards simpler color palettes and more simplistic compositions. Kind of like an oil painting more than a digital photo.

I've moved towards this more subtle style for a few reasons, the main one being that the super-epic colorful stuff doesn't seem to go well with most décor. I may be oversimplifying it, but when I look at my own home and when I study the interior design work of some of the best, I notice that subtle color palettes (especially earth tones) and subtle contrast tend to reign supreme. Unless it's a millionaire playboy's penthouse suite in 1989, I just don't think the vibrant colors are a good fit for most spaces.

That's why I couldn't care less about the old prints I found in storage. They eventually ended up in storage all for the same reason - they were too "in-your-face" to hang on my walls. Good wall art should mesh with the other décor in the room, not overpower it. It's no different for fine art photography. There are other things involved in a room - furniture, tables, wall paint, carpet, decorations - all these things need to jive together to create one nice unifying look. That's what successful interior design is about.

I designed this new piece with that in mind. The image is from Anza-Borrego Desert State Park on a solo camping trip I took a little while back (read about that trip here). When I took the picture I specifically had this goal in mind of staying away from that epic look with the super saturated colors. I chose Kodak Portra 160 film to render the image in a more muted color palette with softer contrast. Then, when designing the framed piece, I opted for a very simple float frame with a ¼" gap and some gorgeous wood grain. The piece screams simplicity and clean lines...just what I like to see in my own home.

Fine Art Photography Wall Art

Nick Carver with one of his Fine Art Photography Prints

As you'll see in the video at top, the image is from a 6x17 negative I scanned on my Epson V750 scanner using Silverfast software and it was printed by Pro Photo Connection in Irvine (check them out here) on Fuji Pearl paper. The print isn't inkjet (you know how I hate inkjet) but is instead a wet process C-type print for superior color, sharpness, and clarity.

I also had Pro Photo mount the print on ¾" gator board and laminate it with a luster lamination. This is an awesome presentation style I discovered with the help of the good folks at Pro Photo and I'm this close to trademarking it because I love it so much! The luster lamination takes the gloss out of the pearl paper which makes the print much easier to see but it still maintains that pearlescent glow. The lamination also makes glass unnecessary because the laminate protects the prints from most common sources of damage. No glass means no reflections, no light transmission loss, and a lot less weight. You really gotta see this in person to appreciate the look, but needless to say, I'm happy with it.

This piece will soon be on display and for sale in an art festival next Spring. So far the reaction has been excellent from those I've shown it to. And I have to say, it feels way better seeing this thing 72-inches-wide on my wall than on a 3-inch smartphone screen.

So get out there and make some prints!

Camping Essentials: ARB Awning Enclosed Room

Camping Essentials: ARB Awning Enclosed Room
View on YouTube to see full HD

In a recent blog post I showed you the ARB 2000 Awning - a fantastic addition to any 4x4 for some quick and easy shelter on the trail (read that post here). In this post I want to show you an accessory for the ARB line of awnings called the Enclosed Room (or the ARB Awning Room with Floor), which is essentially a tent that attaches directly to the awning.

ARB 2000 Awning and ARB Enclosed Room

The room shown here is for the ARB 2000 Awning, which means it measures about 6.5-foot wide. At full extension out from the truck, the awning is about 8-foot long, but with the protruding wheel wells on my 4Runner, the enclosed room offers about 7 feet of usable space on the long dimension. So I'm looking at a total footprint of about 46 square feet. Not too shabby.

This size room can really come in handy at camp. The most obvious use for it is a kitchen. That's one of the main reasons I got this room, because nothing drives me more insane than bugs getting in my frying pan when I'm trying to make fajitas. The large dual windows provide great ventilation and the walls provide all-important wind blocking for your stove.

But hey, who says you can't sleep in your kitchen?

That's right, the ARB Awning Room with Floor isn't designed to be a tent, but that's what I used it for on my most recent trip. It fits my cot and cooking station perfectly, so I can sleep and cook in a single bug-free space. I can see why ARB wouldn't explicitly state this as its purpose, though. I can imagine if you were in a very heavy rain or snow storm, the enclosed room may not be up to the task of keeping you dry and wind-blocked all night. I don't doubt the water-repellency of it or even the sturdiness of the materials, but I believe the perfectly vertical walls may cause too much wind-resistance for the awning to handle. There's a reason tents typically have a pitched roof to them, and for this setup you'd need to drop the far end of the awning quite a bit to create a sufficient slope for runoff. Definitely possible, but just not made exactly for that purpose. This thing is far from aerodynamic. But a light to moderate rain with manageable wind...should be no problem.

The room attaches to the awning with ease. The grooved channels at either end of the extended awning hold the room secure while the robust plastic clips keep it stable with the awning support poles. What takes the longest time in setting up this room is staking it down. There are many stake-down points, which is great for stability, but if you have hard ground like in the Mojave Desert, make sure you bring a mallet with you. You'll be doing a lot of hammering.

In terms of usability, I like the cubic shape of the enclosed room. The traditional dome-shape of most tents can make moving around in it a pain, especially when you're 6'2" like me. But the straight walls and flat ceiling make it more like a bedroom than a tent.

Inside the room are some convenient features. Two vents reside at the top of the truck-side wall that can be opened with velcro, and towards the floor are two small zip-open slots where you can feed in a power cord or propane hose. But possibly the most useful feature is a large zip-open door on the truck-side wall that can be opened and rolled up for quick access to the truck's door. Makes getting supplies in and out of the vehicle a breeze.

I also really appreciate just how big the two mesh windows are. The views from inside are stunning with the rain flaps rolled up and there is plenty of air flow to keep the room unstuffy in the daytime.

ARB Awning Enclosed Room with Floor

My only complaint so far with the enclosed room is that the material used for the floor is thinner than I'd like. I'm sure it's plenty tough to withstand sand and grass, but the rocky terrain of my local deserts may wear it out sooner than later. That's one reason I recommend picking up a tarp at your local hardware store to lay down as a footing underneath your enclosed room. Thinner materials like these are nice because they make the whole package lightweight and compact for easier packing, but in this case I'd take a little more weight and bulk for a tougher floor pan.

If you're a lone-wolf photographer like me and you're looking for a convenient one-man tent/kitchen for your photo adventures, the ARB Enclosed Room may be the right choice for you. It certainly beats sleeping in the back of your truck (you deserve better than that).

Helpful Links:
ARB Awning Room with Floor
- ARB 2000 Awning
- ARB 1250 Awning
- ARB 2500 Awning

This blog post and video were not sponsored or endorsed by ARB 4x4 Accessories or any other company.

ARB 2000 Awning Review

ARB 2000 Awning Review

ARB 2000 Awning Review

ARB 2000 Awning Review

Making a Fine Art Photography Print

Making a Fine Art Photography Print (2 Part Video)
View on YouTube to see full HD

I'm a big advocate of printing photos. I urge my students to do it whenever I can. And that's because my sense of pride and satisfaction is at its peak when I create a fine art photography print to hang on the wall. There's something about it that feels so much better than just sharing it digitally.

I mean, come on, how good can it feel sharing a photo on Instagram? You spend hours and hours getting to a location, setting up a shot, and processing the image only to have it displayed on a 2.5-inch wide screen that viewers will swipe past in under 3 seconds. You get a few likes, and that feels good, but then the picture just disappears into "the cloud" forever. Digital sharing is "here today, gone tomorrow."

But printing...that's different. When you get a print made, you're making a bold statement. You're saying "I'm so proud of this picture that I'm willing to spend money to get others to see it. I want it around for years, maybe decades. I want it on display in such a way that people can't just swipe past it." When you get a print made, you're investing in your work. You're saying that it's worth the effort and expense. And that does wonders for your self-esteem.

Fine Art Photography Wall Art

Think I'm overstating it? Get a big ol' print made and get it framed up real nice. Then tell me it feels about the same as posting them on Facebook. The tangibility of a print creates a sense of fulfillment that 1's and 0's just can't. For me, it's about the same as emailing a friend vs sitting down with them face-to-face. Sure, both are the exchange of ideas, but I'm betting you have many more memorable face-to-face interactions than memorable emails.

So that's why I decided recently to make a new fine art photography print. And the image I chose was one I took in Joshua Tree National Park on black and white film. I actually took this picture during an on-location video I made awhile back (check that out here). I love the vibe of this photo and it's something I've wanted hanging on my wall for awhile now because Joshua Tree is a very special place to me. I'm utterly in love with the desert and I've had some of my most incredible experiences in this part of the country. Also, what can I say, I just like the photo!

Whenever I set out to make wall art from one of my photos, I envision the finished piece as my very first step. I picture the framing style, the type of paper, the size - I get it all worked out in my head until it looks perfect. Things will get tweaked here and there as I go through the steps of it, but for the most part, I know the vibe I want and how to get it.

For this piece, I wanted a rough, old-timey vibe with a lot of texture and depth. I'd never used watercolor paper in a framed photo before, but I knew from previous samples that watercolor paper would provide the texture I was after. The only problem I have with watercolor paper is that it's for inkjet style prints and, generally, I hate inkjet prints. They are far inferior in overall look to Lightjet prints, which is what I typically get. But I really wanted that texture, so inkjet it would be.

So what's the difference between inkjet and Lightjet? Inkjet is ink on paper, like what you do at home. Lightjet is photosensitive paper (like in the darkroom) that's put through a machine that exposes your digital image to it with light (like in the darkroom) and then puts the paper through developer and chemicals and such, just like traditional darkroom prints. The end result is a true photographic print baked into the paper itself with a superior look.

I wasn't looking forward to inkjet printing on this piece, but luckily, watercolor paper absorbs ink differently than typical gloss paper, which results in better prints than I'm used to seeing from inkjet. And the technicians at Pro Photo Connection in Irvine (www.prophotoirvine.com) did a superb job on the print as always.

To add some more texture to this piece, I created a deckled edge on the paper, which is where the paper looks torn rather than clean-cut. The process for this is simple and is described completely in part 2 of the video series linked at the top of this post.

Then, to get my depth, I opted for a float-mount in a shadow box. This lifts the print away from the backer board and creates lovely shadows in the frame. The framing was done by my framer of choice: Salamon Art in Fountain Valley, CA (www.salamonart.com). They always do a perfect job.

When getting prints this big, it's a good idea to get a proof first. As you'll see in the video, a proof is an 8x10 snippet of the full print that you can use to verify the look before giving the go-ahead on the full-size piece. This is a great way to ensure there are no unpleasant surprises in the full-size print.

The finished fine art piece came out great. I got the vibe, the texture, and the depth I was after. It's a really cool style overall and I plan to do many more in this fashion.

If you're interested in purchasing this fine art photography print from Joshua Tree National Park or if you'd like to get a similar piece made, please drop me a line here.

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fine Art Photography Wall Art

Fine Art Photography Wall Art